Aidan Moesby in conversation with Tom Dixon: ‘I was Naked Smelling of Rain’

Image courtesy & copyright Aidan Moesby, I was Naked Smelling of Rain.

In this moment we have been working with commissioned artists to rethink and reimagine how their contribution to the Lincoln Live Season can be revised and reimagined; how new work can be shared and enjoyed together with audiences in a safe, virtual, domestic and necessarily personal environment.

This event will take place live using Zoom, a free online video chat service. For security reasons, booking via Eventbrite is essential and a hyperlink that will take you to the event will be shared with attendees via Eventbrite email 1hr before the event start time.

How does the weather affect your emotions? How might this change with the influence of climate change?

A conversation with artist Aidan Moesby and Professor Thomas Dixon, followed by the screening of a BSL interpreted version of I was naked, smelling of rain – a performance piece exploring the impact of the external physical and social weather on our internal mental health and wellbeing. In the midst of the climate change and mental health crises, Aidan proposes that we’re the most connected ‘on-demand’ generation, yet we seem to have lost touch with who we are and where we fit in the world. 

Aidan Moesby’s work is ​situated at the intersection of visual arts, wellbeing and technology. Concerned with the weather as a metaphor, both the real ‘physical weather’ we experience and our ‘internal weather’, Moesby has worked, exhibited and curated nationally and internationally working with partners such as Dundee Contemporary Arts, Newcastle University, NSUN, WIP: Stockholm, The Tetley, DASH, New Media Scotland, NHS24, ANAT, Watershed, Axis Web and The Sick of the Fringe

Prof Thomas Dixon is a historian of philosophy, science, medicine, and religion, with particular expertise in the history of emotions, and in Victorian intellectual and cultural history. He joined the School of History at Queen Mary in 2007 and since 2008 have been a member of the Queen Mary Centre for the History of the Emotions, and co-editor of the History of Emotions Blog. His PhD (1996-2000) and British Academy Postdoctoral Fellowship (2000-2003) at the University of Cambridge were followed by a period as a Lecturer in History at Lancaster.

This event is delivered by independent curator and researcher Linda Rocco as part of a wider programme marking 200 years since Antarctica was first sighted. Celsius forms part of Mansions of the Future’s Lincoln Live season and Antarctica In Sight – a UK wide cultural programme of activity supported by the UK Antarctica Heritage Trust. This series of talks, workshops and performance will explore the groundbreaking intersections of arts and STEM subjects with a focus on climate change and the uniquely precarious position of Antarctica in today’s sociopolitical climate. The week long programme will feature contributions from artists Rhine BernadinoLula MebrahtuAidan Moesby and Josefina Nelimarkka.


This project is part of Mansions of the Future’s Lincoln Live programme March – November 2020 (Season extended in response to COVID-19). Departing from Lincoln’s rich entertainment and theatre history, Lincoln Live features new commissions which exist at the intersections of disciplinary boundaries. The season is a celebration of performative ventures that stand resolutely marginal to both the history of English theatre and the often exclusive, disciplinary rhetoric of contemporary performance art.

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